Showing posts with label Chippewa. Show all posts
Showing posts with label Chippewa. Show all posts

Sunday, April 19, 2026

The Origin Of Smoking

The Origin Of Smoking

Screenshot For News Reporting Purposes
Submit a Repatriation Request

World Religions, Protology, General Eschatology and Eternalism present/feature Eternal Archetypes (universal, original prototypes) for objects, practices and themes such as Bowls And Reeds (Flutes) for Therapeutic Fumigation, incense and Worship. Bibles describe visions of symbolic Elders in Heaven; holding symbolic, unidentified instruments and Censers.

Screenshot For News Reporting Purposes
Submit a Repatriation Request

If these eternal, symbolic Bowl And Reed forms reflect present practices, then it is also reasonable to include the criticisms that challenge such claims. An Eternal Archetype Bowl And Reed reoccurring in human and heavenly psychology suggests a Shared Unconscious. This Shared Unconscious may relate to The Ojibwa Way; The Way Of The Heart and as an inborn/innate inner moral obligation set by The Creator. Reoccurrences for this exist in New Covenant (sacred) text; Jeremiah 31 and Hebrews 8:10 and lastly as the foundation of Jungian Psychology {absorbing the Shared Unconscious and inherited, pooled patterns that influence imagination and behavior}. The criticisms for the existence of a Collective Unconscious warn of meager Psychological Casts and unverifiable Mysticism instead of Scientific Data.

Screenshot For News Reporting Purposes
Submit a Repatriation Request

The Origin Of Smoking may be attributed to The Pre-Existence of The Ojibwa Calumet. The Pre-Existence of The Ojibwa Calumet may be attributed to its Antecedent Form of a Bowl And Reed. The Pre-Existence Of The Bowl And Reed may be attributed to its Eternal Archetype Bowl And Reed reoccurring in human and heavenly psychology suggesting a Shared Unconscious.

Screenshot For News Reporting Purposes
Submit a Repatriation Request


The most logical explanation as to the evolution that yielded the practice of smoking is set in North America’s Eastern Seaboard. To date, The Catawba Indians are verifiably credited with practicing the most ancient form and method of smoking that exhibits the fewest transitional stages from the most antecedent form for smoking: The In-Ground Bowl And Reed(s). The Catawba smoking bowl remains grounded with only one or two evolutionary transitions: the addition of (Furniture) Legs to support the Bowl.

Screenshot For News Reporting Purposes
Submit a Repatriation Request

The practice of smoking most likely began with attempts for Traditional / Natural Medicine Therapeutic Fumigations using a natural in-ground (Smudge) Bowl or depression for cooking / vaporizing Botanical Medicines using direct, indirect and moist heat methods. Hot rocks, stones or coals were added to a small, in-ground, depression. Botanical Medicines were added to the bowl and fumigation vapors were improved with stoking by mouth. To relive the awkwardness of mouth stoking, hollow reeds were used to blow and stoke the bowl instead. Curiosity probably led to the experimentation of inhaling or sucking the Fumigant through the reed from The Smudge Bowl. Eventually, Medicinal Fumigation was Spiritualized as both a Smoke Cleansing and a Smoke Offering. The sum of The Origin Of Smoking is that the practice of smoking is in essence an evolution of The Smudge Bowl. 

The origin of smoking has nothing to do with Tobacco (Genus Nicotiana) whereas Tobacco was slowly walked from it's original range of Bolivia as an ensuing coincidence. Automatically linking The Origin Of Smoking to Tobacco (Genus Nicotiana) and Commercial Tobacco is a peculiarity of foreign persons.


Screenshot For News Reporting Purposes
Submit a Repatriation Request

Addendum

Excerpt: Catawba Indian Pottery The Survival of a Folk Tradition By (Non-Indian Historian)Thomas John Blumer 1937


"The Catawba pipe tradition traces its roots to the very origin of tobacco use and the invention of smoking paraphernalia in the Southeast."

"The Catawba have been known for their pipes for centuries, and the pipe trade itself is ancient in origin among the Catawba. The two are linked."

"Although the invention of the smoking pipe is American Indian, we often fail to think of the pipe as Native American, primarily because the Indians lost control of this market as soon as Europeans applied modern industrial methods to its manufacture. This happened almost as soon as tobacco smoking was introduced in Europe."

"THE PEACE PIPE"

"Although the peace pipe is no longer used ceremonially, it typifies the tradition’s tenacity. This pipe remains a symbol of what it means to be Catawba, and as such it is a much sought after pipe form, particularly among collectors who know something of Catawba history and culture. All of the Catawba potters make this difficult shape, yet the versions differ somewhat from one potter to another. Some Indians make more than one style, but the basic form is a small bowl with four stems representing the four cardinal directions. The peace pipe is either supported by three legs or has no legs at all. In order to smoke the peace pipe, four river cane reeds are inserted into the clay stems. This pipe is not actually used, so the reed stems are almost never offered with the pipe. Although the four stems represent the four cardinal directions, the Indians have lost the peace pipe’s ritual connection. The contemporary Catawba explanation for this pipe’s existence is not very informative. “We have used the peace pipe or the pipe of peace that the Indians used instead of signing treaties. They couldn’t write, and so they would smoke this pipe which had four stems. That was the way they signed their treaties” (Doris Blue, interview, 20 March 1980, BC). While most peace pipes have four stems, it is not unheard of for the potters to make such pipes with as many as ten stems. Alberta Ferrell often made her peace pipes by special order according to the size of the family, one stem per family member (Alberta Ferrell, interview, 22 February 1977, BC)."

"To date, archaeologists have been able to tell us little of the curious peace pipe. George A. West called it the circular or chief’s pipe. He noted, without a citation, that this pipe can have up to fourteen stems. Archaeological specimens are found principally south of the Ohio River and are made of steatite, sandstone, or clay (West 1932:225– 226). None of the specimens described by West have legs. Unfortunately, all of them were from pothunter collections rather than from scientific archaeological excavations. Once found, examples uncovered by archaeologists might shed some light on the Catawba tradition. One such ancient peace pipe was reportedly found in Pike County, Illinois. It is three inches in diameter, does not have legs, and has five holes for the inserting of reed stems, which enter the bowl at its base (Thompson 1973). While the absence of legs and stems is significant, the Pike County pipe looks very much like a traditional Catawba peace pipe in both size and shape."

"A second example of an excavated peace pipe was reportedly found in a mound near Edgefield, South Carolina. The Edgefield pipe is made of steatite, and nine stems surround its shallow bowl (West 1932:Plate 167). This pipe bears little resemblance to any contemporary Catawba peace pipe, except in its overall form."

"Unfortunately, the Catawba peace pipe was not an object of scholarly curiosity until the twentieth century. J. D. McGuire noted that when the Catawba visited the Iroquois Confederation in 1751 a pipe of peace was smoked: “The Catawbas came down from their quarters singing, with their colors pointed to the ground, and having lit their pipes, the king [Hagler] and one more put them in the mouths of the chief Sachems of the Six Nations who smoked out of them. The chief sachems of the Senecas lit a pipe and put it in the mouths of each of the Catawbas, who smoked out of it and then he returned it among the Six Nations” (McGuire 1899:561). While we are fortunate to have this brief description of the ceremony, it is regrettable that it raises more questions than it answers. The writer apparently saw nothing unusual about the pipes used. There is no indication that the peace pipes were similar to or different from contemporary Catawba peace pipes. We are left to wonder if the pipes used were of Indian manufacture; however, the Catawba certainly would have used one of their own pipes."

"The survival of the peace pipe among the Catawba is due both to Catawba dedication and to its popularity among collectors. The potters remain determined to make this complicated vessel. Balancing a small bowl, three legs, and four stems is no easy task for a beginning potter."

"The peace pipe suffered a kind of metamorphosis during the twentieth century. This occurred through a change in the environment of use, a lack of ritual and ceremonial use, and the detrimental influence of the tourist trade that dominated the tradition from the 1930s to the 1960s."

"First, originally the pipe was small, just a bit larger than a regular smoking pipe—large enough to allow for the four stems. Through a lack of use and in response to a mass production need in the second quarter of the twentieth century, the tendency was to make the bowl larger, far more so than would be practical for the smoking of tobacco. Although this process has been reversed in recent years, it is still possible to occasionally find peace pipes that resemble small jardinières.

Second, the oldest examples of the peace pipe, both those found by pothunters and nineteenth-century Catawba vessels, are without legs. It is assumed that the pragmatic Catawba added the three legs in response to the demand of curio hunters and collectors who wanted to set their treasures on a table or in a China cabinet. By 1900, all Catawba peace pipes had three legs and the old form was forgotten. Today, some of the potters have returned to occasionally making peace pipes without legs."

"A third factor in this metamorphosis is the migration of the stems up the sides of the bowl. Originally, as a practical matter, the stems were properly located at the bottom of the bowl so the tobacco would feel the effects of air being pulled through the stems and would thus burn evenly. In such a pipe all of the tobacco would be smoked. A lack of use and the North Carolina mountain tourist trade prompted this stem migration. It is sometimes possible to find peace pipes with stems placed so high on the bowl that the pipe could never be smoked."

"The Catawba potters still construct the long-obsolete peace pipe, in spite of its difficulty, because it is so key to the Catawba tradition; it must be placed right next to the cooking pot and snake pot in ranked importance. The potters consider a well-constructed peace pipe to be a sign of a true master potter. Indeed, the peace pipe requires mature skills. The potters are rightfully proud of this ancient shape."

"Although this pipe is no longer smoked, it is commonly presented to important visitors to the reservation and to politicians the Catawba wish to honor. In 1986, the Tribal Council made formal presentations of peace pipes, made by Georgia Harris, to Senators Strom Thurmond and Ernest Hollings and to Representative John Spratt on the occasion of the publication of the Bibliography of the Catawba (Blumer 1986)."

"South Carolina governors are frequent recipients of Catawba peace pipes. The peace pipe is also represented on the Catawba Flag and the logo of the Catawba Cultural Preservation Project."

Screenshot For News Reporting Purposes 
Submit a Repatriation Request Under the 
Native American Graves Protection and Repatriation Act

Screenshot For News Reporting Purposes 
Submit a Repatriation Request Under the 
Native American Graves Protection and Repatriation Act

Screenshot For News Reporting Purposes 
Submit a Repatriation Request Under the 
Native American Graves Protection and Repatriation Act

Screenshot For News Reporting Purposes 
Submit a Repatriation Request Under the 
Native American Graves Protection and Repatriation Act

Screenshot For News Reporting Purposes 
Submit a Repatriation Request Under the 
Native American Graves Protection and Repatriation Act

Screenshot For News Reporting Purposes 
Submit a Repatriation Request Under the 
Native American Graves Protection and Repatriation Act
 


Monday, November 3, 2025

Justification For The Chippewa / Ojibwa Calumet (Smoking Pipe Stem)

Justification For The Chippewa / Ojibwa Calumet (Smoking Pipe Stem)

The Creator

The Creator always looks for suitable ways to finish what is incomplete for His People. A long time ago; The Creator understood that His delegates would be assigned places among mockers because (special) place settings among people can be filled with pride, or worse things. Something else would be needed to emphasize the heaviness of special (prayer) occasions. The Creator conceived something akin to a wooden post that holds firm but is somehow, miraculously portable like the (larger) creature’s leg, and redemptive like a heavenly window.



Click On Photos For Light Box View


Click On Photos For Light Box View

The Beaver

The Creator, for His Glory, through His Thunder, ordered Amik (The Beaver) to set apart a tree, that appeared good [on the surface] and to position this “Stem” in a place where it would be irresistible for People to find and keep. Afterwards, this stem would be carried by People to show the heaviness of special prayers, roles, and definitive times.

Because The Creator’s Elders (non-novices) are sent for special prayer occasions; this stem, must have a safeguarded airflow to serve as a spiritual path for the valuable prayers of The Creator’s People.


The Woodpecker

The Creator, for His Glory, through His Thunder, ordered Me’me (Pileated Woodpecker) [who was known for identifying wood with Heart-Rot and for digging deep to uncover what lies beneath the surface] to split a stem along its length and cut out the decayed, infected, heartwood (central core) so that the stem would live as a new, redeemed creation by order of The Creator, and this was The Creator’s Glory. Me’me was to do these things in the presence of Men and Women so they would learn these things according to the Woodpecker’s example. Me’me was already famous for excavating stems with entrances and exits.

Screen Shot For News Reporting Purposes

This stem was rejoined together (in a place where People would notice and learn this), with sap / tar / pitch from the sap-well Me’me had created for this purpose, by order of The Creator, through His Thunder, and this was The Creator’s Glory.


Bowls Of Incense

The People were led (within their already miraculous existence) to join their Bowls Of Incense to the stem sometimes, so that the stem’s mouthpiece only expresses sincerity cultivated in the bowl’s holy heart of fragrant prayer offerings. The Red Claystone bowl is believed to symbolize the biological source of ancient ancestors. The (Platteville) Limestone bowl is a culmination of all of Creation; a great [marine] flood / deluge creation of minerals, plants and animals {fossils} found in The Lake Superior Chippewa Territory and this material is believed to represent all types of life (physical, spiritual) and water. 

Platteville Limestone is not quarried but allowed fall naturally from the caps of river bluffs to the recent hard, overwinter water level. This fall of approximately 25 feet (on The Upper Mississippi) naturally reveals cracks, crumbles, vents, inclusions and other faults. Faults discovered mid-carve will make it necessary to change the design of the bowl.  

Platteville Limestone Features
Crushed Marine Shells, Corals, And Other Marine Life Fossils  

Puzzles And Calumets

The Chippewa / Ojibwa “Puzzle” Calumet is completely unrelated to confusion which is evil. Instead; The Chippewa / Ojibwa “Puzzle” Calumet features cut-out areas that mimic the work of the Woodpecker, flutes, (The word Chalumet is French / Latin / Greek for Chalumeau, meaning flute or stem) heavenly windows and give the impression that the airflow must flow past open spaces. This meandering of the airflow is intended to prioritize visualizing patience and perseverance instead of efficiency for our journey. The Puzzle Calumet is also intended to test the highly personal devotion of the Calumet Maker / Calumet Elder to their vocation / calling. Calumet is also the name for both a (Colonial-State) Village and a [Colonial-State] County within The Lake Superior Chippewa Territory.


Practicalities

The Chippewa / Ojibwa Calumet is deliberately, awkwardly, oversized and heavy to emphasize sublimity, the special effort for its portability, and to discourage personal misuse for profane pleasure. The Chippewa / Ojibwa Calumet’s size also transcends commingling with other item collections into a single "Bundle" for transportation, as is the tradition of pluralistic groups. 


Improvements

Because The Chippewa / Ojibwa Calumet (smoking pipe stem) must be cut [open], for inner transformation, the Chippewa / Ojibwa Calumet became, out of necessity; much wider, flatter, longer, over time; to create a stronger glue join, and to safeguard the airflow. Historically, the mouthpiece, glue seam and joints fail prematurely from moisture damage and newer Calumets are made to prevent this.

The Ojibwa Calumet

Operational Feasibility

Because The (Solemn) Chippewa / Ojibwa Calumet can be much larger and heavier than other Band’s / Tribe’s stems; it must remain stationary during use and must not be lifted, twirled, rotated or passed along as misrepresented by missionaries, anthropologists, (colonial) state agents and pluralistic persons. The Chippewa / Ojibwa Calumet must not be held up or held as hanging on a tree, as this is an accursed state of being as well as the earliest disposal method of Chippewa / Ojibwa dead. Furthermore the casting of a censer is symbolic of the unfolding of judgement. The orientation / Cardinal Pointe for the Calumet’s use is Purple or Center (same as Eastern Siouan tradition[s] ) and this is on the part of wisdom; whereas serious, intercessory prayer requires less distraction. The Spirit or meaning of the event is observed without an overly complicated orientation ritual. Personal beliefs outweigh rituals and participants go strait to the significant event or intercessory prayer. Smoke / Incense / prayers rise to be heard in heaven and as a pleasing aroma for The Creator. Grounded like the Eastern Siouan tradition, The Contemporary Calumet's smoke rises freely and effortlessly, mirroring and echoing that of the earlier, antecedent form of in-ground bowls and reeds.

The Ojibwa Calumet

Dynamic Interaction

Because The Chippewa / Ojibwa Calumet can be much larger and heavier than other Band’s / Tribe’s pipes; it must be attended by more than one intercessor and this forces compassionate unity by two or more persons gathered in the name of The Creator.

The Ojibwa Calumet

The Ojibwa Way

Imagine a miniature Ribbon Dress or Ribbon Shirt on your heart, or scars from a ritual only on your heart; these would be invisible to those who derive their sense of holiness and attention from outward appearances. The Way Of The Heart is The Ojibwa Way; a transformation from superficial rituals to inner devotion. Just as The Calumet’s Heart must change, a person’s heart must change before good things are brought out from what is stored in these places.

The Ojibwa Calumet

Indispensable Vs. Disposable

There are two (usage) varieties of Chippewa / Ojibwa Calumets. First is The Solemn Calumet, an original, irresistible cultural item that models deep sincerity for the Chippewa / Ojibwa. The Solemn Calumet can transcend formality as needed, being consultative and casual for the benefit of society. The other (usage) variety is The Chippewa / Ojibwa Presentation Calumet; a give-away item for diplomatic gifting. Lastly, The (extremely rare [so rare it has yet to be deployed]) Chippewa / Ojibwa War Calumet serves as both a deterrent and as an alert system, sharing the same purpose as {facial} War Paint: an extremely serious indication that the community is living in the (imminent) worst possible time. This is why it is fantastically abhorrent to wear War Paint for festive exhibitions, Powwows and (dance) contests. The Chippewa / Ojibwa War Calumet displays anatomical symbols of anger and defense such as a Woodpecker’s raised crest / crown or (other raised feather arrangement) to represent the impossibility of reconstruction.


Resistance Of The Chippewa / Ojibwa Calumet

The Chippewa / Ojibwa Calumet (Elders) must rekindle resistance to corruption due to the social harm caused by allowing pluralistic stereotypes (funded by erosion and shame) to fill the voids that have formed. The Chippewa / Ojibwa Calumet must resist being assigned human roles because this would create unrealistic expectations and limit contemporary representation and contributions to modern society. No part of The Chippewa / Ojibwa Calumet is assigned a gender or sexualized in any way because this is completely unnecessary, and would only serve to uncover an extremely unhealthy and vulgar (inner) attitude.


Should a Calumet Elder be paid?

Although Intercessory Prayer is considered an unselfish act, The Calumet Elder must not be oppressed nor give freely to the rich. The Elder must not exploit it’s own community and should expect to be judged according to conduct. The Calumet Elder is sent to promote integrity and authenticate situations in a traditional way through special prayer. There is no traditional mandate for Calumet Elders being paid, however in modern society, material support enables the Calumet Elder to focus more on their role of preserving Native Identity. Contextually, a Calumet Elder in an Intertribal, Urban, and Metro Indian Community shares the same economic struggles and loss of traditional support as the rest of the displaced community.



Conceivable examples of a contemporary Calumet Elder’s itinerations include special or intercessory prayer for:
*Calumet Elders must not participate in oaths or swearing whereas “Situational Integrity” is considered the opposite of real, consistent integrity and is thus hypocritical, oxymoronic and evil.


Display

Should Calumet use be recorded? Absolutely and for many reasons. It is highly recommended to record and publish everything as a reactionary ethic to the fantastically absurd pandemonium caused by later relying on Pan-Indianism, pluralism or genocidal anthropologists’, missionaries’ and sub rosa (colonial) state’s intelligence agencies [Smithsonian, others] misrepresentations, for one’s own customs. The Chippewa / Ojibwa Calumet may be publicly displayed intact as demonstrated and proven by numerous photographs of Calumet Elders publicly displaying intact Calumets. More importantly, Secret Knowledge is always a Red Flag and the hallmark of Spiritual Abuse.


Notes:

Calumet noun cal·​u·​met ˈkal-yə-ˌmet -mət : a highly ornamented ceremonial pipe of the American Indians
Etymology: American French, from French dialect, pipe stem, from Late Latin calamellus, diminutive of Latin calamus reed — more at calamus
First Known Use: 1698, in the meaning defined above
Merriam-Webster.com Dictionary, s.v. “calumet,” accessed October 20, 2025, https://www.merriam-webster.com/dictionary/calumet.


Pipe: Opwâgan.
Pipe-Stem: Okidj, Odamaganak, Odagamanâtig.
Flat Broad Pipe-Stem: Nabagakokidj. (Oskitjïy).

Midewiwin Translation: Due to the Anishinaabe word de' meaning 'heart,' the term Midewiwin (the Grand Medicine Society, a traditional Spiritual Path) is sometimes translated as "The Way of the Heart". 

Bimaadiziwin is an Anishinaabemowin word that generally translates to "A Way Of Life". The more comprehensive concept of Mino-Bimaadiziwin, or "The Good Life", is a core philosophical and moral principle in Anishinaabe.


The Ojibwa Calumet

The Origin Of Smoking

The Origin Of Smoking Screenshot For News Reporting Purposes Submit a Repatriation Request Under the  Native American Graves Protection and ...